Have you ever questioned what is so special about shooting in 24mm? Or, have you ever wondered what focal length is good for landscapes is but in no way been quite sure what it is? The reality is that there are a lot of angles you can quite easily photograph your landscape with. Each time you zoom in or out, you will be altering the complete look and sense of your photo. Let’s look more intimately at the 24mm viewpoint. Why is it so good?
There are many wonderful things about photographing at 24mm. I use a Canon lens at 24mm for landscapes. The best 24mm lens is one that will tend to continuously supply you with an terrific range or width. Any Canon 24mm lens (or Nikon 24mm lens) has the ability to get rid of the awful “warp” that comes with subjects taken too close with the ultra wide lenses. If you are unfamiliar with what this means, simply head to the Internet and search for a few wide angle photographs of tall structures taken up close with lenses less than 17mm. In some landscape photography situations it can work well, and in others it does not. From time to time, when you shoot at an ultra wide angle, the landscape you are shooting can look like it’s bulging in the center. If this happens, then why not try taking pictures at 24mm?
When shooting landscape photography we want to strive for “wide”, but not “bending” in the heart of the photo, as some ultra wide angle lenses can generate. This is where the magnificent 24mm focal length comes in. It produces a wide scene without looking unnatural. Not only is it a wonderful overall length to photograph at, but you can photograph at 24mm to generate panoramas. What I mean is 24mm makes for a beautiful individual photo AND it can be a great shooting measurement to stitch several single photos together to create a panorama.
You see if you took a handful of shots taken at 17mm or less, and stitched them together, you may indeed see an awkward bulge. This is what happens when ultra wide shots are stitched to make a single panorama. Unless you are trying to produce a fish-eye effect it will not work properly. When shooting with 24mm this terrible outcome does not happen. We are left with a wide angle perfect for for a single photo and just right to create a series of photos for a panorama.
To get a better idea of the excellence of the normal 24mm wide angle lens, ask yourself does the photo have a real looking perspective? For example, do you sense any unnatural warping or bending in the horizon line or along the foreground? No, we can’t. That is more often than not a sign that the 24mm focal length is just right for the application.
Is this 24mm lens as a rule “wide enough”? Yes it is. And the beauty about this focal length is that we can bring three individual images at 24mm and create a superb panoramic scene. Some lenses that are ultra wide, such as the 17mm or less, can bulge a panorama a lot.
You can take a series of shots taken from the same view and using a tripod to make sure good results. Then use Panorama Maker Pro 6 photo editing software to merge or stitch the shots together into a sole frame. You will discover that 24mm is most ideal because it does not bulge the panorama in the heart as a 17mm series of photos would.
Once you stitch your 24mm photo sequence together then examine if the image is effective because of the extra surroundings at the edges. The answer is going to be relative because it has to do more with personal preference and the intention of the photographer.
Once you have stitched a handful of 24mm photos together to create a sole panorama, sit back, and have a good look at it. You will find that it looks like a realistic scene.